The 33rd PSYART International Conference on Psychology and the Arts will be held at the Université de Reims Champagne-Ardenne, France, June 29-July 4, 2016. The conference is sponsored by the PsyArt Foundation and the CIRLEP research department.
Le XXXIIIe Congrès international PSYART sur la Psychologie et les Arts aura lieu à l’Université de Reims Champagne-Ardenne du 29 juin au 4 juillet 2016. Le Congrès est organisé par la Fondation PsyArt et par le laboratoire CIRLEP.
PROGRAMME
Wednesday, June 29
6:00-7:30 pm – Reception “Vin d’Honneur”: Hôtel de Ville (City Hall), Salon de Mars, Place de Hôtel de Ville. The celebrated Champagne Quaffers will perform. Dinner on your own afterwards.
Thursday, June 30
9:00-9:15 am – Coffee – Espace détente
9:15-9:30 – Welcoming remarks – Room 1005
9:30-10:00
Session 1: Ego, Superego, and Id – Room 1005
- Robert Silhol, How I Was Betrayed by the Ego
10:00-11:00
Session 2: Forms of Psychiatry – Room 1005
- Adrian Chapman, Radical Psychiatry, Radical Writing: A Report from the R. D. Laing Archive
- Jeffrey Berman, Pharmascolds and Pharmasirens: Psychiatry’s Two Cultures
Session 3: Trauma and the American Novel – Room 1004
- Christelle Ha Soon, “Not a Story to Pass On”: Overcoming the Trauma of Slavery in Toni Morrison’s Beloved
- Tony Hughes-d’Aeth, Jonathan Safran Foer’s Extremely Loud and Incredibly Close: The Primal Scene as a Narrative Epistemology
11:00-11:15 – Coffee break – Espace détente
11:15-12:15
Session 4: Dream Symbolism – Room 1005
- Rebecca Gimeno, The Image as Dream: Reflections on Heartbreak, Archetypal Imagery, and Gustave Moreau’s Painting “A Dead Poet Being Carried by a Centaur”
- Maria Kardaun, Dream Symbolism
Session 5: Twentieth Century American Novel – Room 1004
- Marleen Stevens, The Death Drive is Not Yet Dead : Sylvia Plath’s Novel The Bell Jar Revisited
- Bent Sørensen, Who Needs Religion When You Have The Desert?
12:15-1:30 – Lunch – Espace détente
1:30-3:00
Session 6: Folk Tale and Fairy Tale – Room 1005
- Namiko Haruki, Hospitality to the Real
- Aqsa Khalid, A Study of Jungian Archetypal Patterns in Selected Fairy Tales
- Ellen Handler Spitz, Toward a Psychology of Fairy Tales
Session 7: Painting – Room 1004
- Puy Soden, Grounding Painting: An Artist-Researcher’s Experience of Maurice Merleau-Ponty’s ‘Flesh of the Gestalt’
- Laura Gonzalez, What Does Hysteria Want From Me?
- Dulce Anacion, Painting in Incarceration: Jie’ur’s Sanctum
3:00-3:15 – Coffee break
3:15-4:15
Session 8: Film, TV, and Madness – Room 1005
- Ágnes Hortobágyi, “Today art is all but dead anyway”: The Metaphysical Horror of Madness in Jan Švankmajer’s Film Lunacy
- Erwin Erhardt, Madness in ‘Western’ Civilization: Images from The Big Valley (1965-69)
Session 9: Play and Creativity – Room 1004
- Monika Chylińska, Pretend Play and its Possible Connections with Creativity and Imagination
- Ekaterina Muravevskaia, Storytelling Through Constructivist Lenses: Fairytale as a Tool for Teaching Culture-Related Topics in an Art Classroom
5:00 pm – Walking tour starts outside the Office de Tourisme at 6 Rue Rockefeller, (the street in front of the Cathedral). Wear good walking shoes. Tour covers the Cathedral and Art Déco Reims. Ends 7:00 pm. Dinner on your own.
Friday, July 1
9:00-10:00 am
Session 10: Nineteenth Century British Novel – Room 1005
- Sarah Frühwirth, Sensational Self-Defeat: The Case of Rhoda Broughton’s Not Wisely but Too Well
- Catharina Hellberg, Disruptive Semiotics: A Kristevan Reading of the Imagery in Thomas Hardy’s Desperate Remedies
Session 11: Charlie Chaplin and Woody Allen – Room 1004
- Claire Hershman, Charles Chaplin’s Limelight
- Solange Leibovici, Woody Allen’s Zelig: The Joke as Synthome
10:05-11:05
Session 12: Ghosts and Phantoms – Room 1005
- Antal Bókay, Enigmatic Stories: Phantom and Trauma in Hamlet
- Gavriel Reisner, The Ancestral Father and the Ghosted Self in Conrad’s Lord Jim
Session 13: Ecopsychology – Room 1004
- Mary Valentis, Good Breast, Bad Breast: Fantasies of Terrestrial Matricide and the Regressive Imaginary of Climate Change
- Joseph Dodds, An Entomology of Art: Insects in the Three Ecologies
11:05-11:20 – Coffee break
11:20-12:20
Session 14: Shakespeare – Room 1005
- Sharanya Sridhar, Shylock’s Repressed Desire: Re-reading Shylock through Hysteria
- Laura Vogel, As You Like It: A Dream Play
Session 15: Ian McEwan’s Novel The Children Act – Room 1004
- Aino-Maija Lahtinen, Binding, Unbinding, and Rebinding in The Children Act
- Claire Kahane, Music, Empathy and Narrative Movement in Ian McEwan’s The Children Act
12:20-1:45 – Lunch
1:45-3:15
Session 16: British Modernism: Lawrence, Woolf, Joyce – Room 1005
- Emel Zorluolgu, How to Create Machines Out of Humans
- Alexander Venetis, Freudian and Jamesian Rhetoric and Ideas in Virginia Woolf’s Literary Manifestos
Session 17: Contemporary Poetry – Room 1004
- Calum Neill, The Particular in Poetry, or How Psychology has Colonised the Expression of Experience
- Felicity Powell, Ted Hughes, Primal Mentality and the Psychology of Tricksters
- Shanee Stepakoff, Representations of Failure in Contemporary Poetry: A Jungian Perspective
3:20-4:20
Session 18: American Literature and War – Room 1005
- Reiko Nitta, J.D. Salinger and WW II
- Donald Vanouse, The Survival Value of Art in Mourning WW I
Session 19: Research into Psychology and the Arts – Room 1004
- Piotr Francuz, What Exactly Do You Mean When You Say That This Painting is Beautiful?
- Martin Gliserman, Cultural Neurology: Unconscious Rules of Semantic Distribution in 100 Novels
4:20-4:35 – Coffee break
4:35-5:45 – Directors meeting of the Psyart Foundation (directors only) – Room 1004
Sunday, July 2
9:00-10:30
Session 20: Twentieth Century Painting – Room 1005
- Marcello Mangano, Picasso’s Guernica: Trajectories of a Paranoid Elaboration of Mourning
- Marike Steeman, Rothko’s Tears: The Painter’s Process and His Object Relations
- Burton Melnick, Cézanne’s Apples: Disengaged Contemplation of the Object of Delight
Session 21: Contemporary British Fiction – Room 1004
- Ivan Čipkár, Between Fancy and Distress: Cognitive Universals and Reader Identity in the Interpretations of Neil Gaiman’s Short Works
- Aycan Akçamete, The Failure of the Law and the Embrace of Multiple Sexualities in Angela Carter’s The Passion of New Eve
- Elizabeth Fox, The Monstrous Maternal: Bad Mothers and Abandoned Children in Pat Barker’s Noonday (2016)
10:30-10:45 – Coffee break
10:45-12:15
Session 22: The Novel – Room 1005
- Michael Graziano, The Real Space of Critique
- Rainer Kaus, Émile Zola’s The Belly of Paris: The Natural and Social History of a Family in the Second Empire
- Renée Von Paschen, Coping with Capgras
Session 23: French Film – Room 1004
- Neha Bhatia, Plurality and Corporeality in Francois Ozon’s Young and Beautiful (2013)
- Natalie Strobach, A Fish with a Fig: A Narrative Time of Possibility
- Nancy Blake, Far From Men: Existential Choice in the Twenty-First Century
12:15-1:45 – Lunch
1:45-3:15
Session 24: Film and Film Posters – Room 1005
- Pablo Perez, In Reality Lies Fantasy: A Psychoanalytic Study of Iñarritu’s Birdman (2015)
- Valerie Deacon, Deconstructing the Visual: Critical Analysis as a Sign System, Mediating through Film Posters
- Rainer Koeppl, Hitchcock, Freud, and the Tinseltown Dream Factory
Session 25: Literature and Memory – Room 1004
- Flavio de Oliveira, The Workshop: Memory and Labour Fiction
- Kim Eyre, Time out of Mind: The Therapeutic Power of Edward Thomas’s “Adlestrop”
- Simon du Plock, Ontological Insecurity and the “Immense Sensibility” of the Jamesian Novel
3:15-3:30 – Coffee break
3:30-5:00
Session 26: American Film – Room 1005
- Sharon King, Fantastic Falls: Narratives of the Narcissist in Blade Runner, Aliens, and Avatar
- Emily Fox-Kales, Guilty Pleasures: Unruly Bodies and Appetites for Sex, Food and Love in American Romantic Comedy
- Andrew Gordon, Bipolar Boys: Manic-Depressive Children in the Films of Steven Spielberg
Sunday, July 3
9:00-10:00 am
Session 27: Jokes and the Unconscious – Room 1005
- Leah Bowron, Penis Envy: Denis Breen’s Freudian Moniker in Joyce’s Ulysses
- Jerry Flieger, “So these two therapists walk into a bar…”: Freud in the Locker Room, Lacan in the Jail Yard
10:00-11:00
Session 28: Film and Gender – Room 1005
- Samir Dayal, Trappings of the Body: New Masculinities and “the Natural” in Indian Cinema
- Camelia Elias, Mute Medea: Pasolini’s Voice
11:00-11:15 – Coffee break
11:15-12:00 – PsyArt Foundation business meeting (all registered conferees are members of the Foundation and are invited and encouraged to attend and to VOTE) – Room 1005
12:00-12:15 – Group photos (bring your cameras!)
12:15-1:15 – Lunch
1:30 – Bus leaves from campus. Be on time. Tour Le Chemin des Dames and La Caverne du Dragon. The bus will return us 6:30 to Reims and the Cave de Champagne Cazanove to tour their cellar and have our closing banquet.
Monday, June 4
8:30 am-6:00 pm – Departure. Or optional post-conference TOUR of the winemaking region with vineyard visit at Hautvilliers, lunch in Soissons, and the Château de Blérancourt and its Franco-American Museum. (Tour is sold out.) Bus leaves 8.30 am from the hotel and returns at 6 pm.
LIEU
Université de Reims Champagne-Ardenne
Campus Croix Rouge – Bâtiment 18
57, rue Pierre Taittinger – Reims
Tram A ou B – Arrêt : “Campus Croix-Rouge”
DATES
mercredi 29, jeudi 30 juin, vendredi 1er, samedi 2, dimanche 3 et lundi 4 juillet 2016
OpenEdition vous propose de citer ce billet de la manière suivante :
administrateur (7 juin 2016). 33rd PSYART International Conference on Psychology and the Arts. Les Cahiers du CIRLEP. Consulté le 18 février 2025 à l’adresse https://doi.org/10.58079/mu1t